怪物电力公司观后感 怪物电力公司观后感500字

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《怪兽大学》的观后感

事从大眼仔小时候的户外教学开始，在怪兽的世界里他外表长的并不吓人而且身材矮小，因此在班上较不受欢迎，他参访怪兽电力公司时，受到一位来自怪兽大学惊吓专员的鼓励，大眼仔也从此将成为一名惊吓专员订为他的人生目标。

故事又推进到大眼仔终于要到他梦想中怪兽大学就读之后的故事，终于成为怪兽大学的学生的麦克，进了惊吓学院，在宿舍的房间认识了自己的室友－蓝道，两人后来成为好朋友，在课业上彼此互相帮助，也一起玩耍，但蓝道却在大眼仔最需要帮助的时候背弃他。

大眼仔在后来便开始为将来能够成为惊吓专员而努力认真念书，成为了班上成绩最亮眼的学生，开学的第一堂经下课程他认识了毛怪，毛怪因家族的声誉而且他父亲是一位专业的惊吓专员所以有不少的知名度，也因此加入了惊吓会，由惊吓课程中的精英所组成的兄弟会，但他恃宠而骄仗着天分和加分的外表对课业却不怎么认真，也喜欢恶作剧，两人也因此陷入了疯狂的竞争。

到了惊吓课程的期末考，依照惯例郝刻薄院长来教室监考，大眼仔和毛怪在彼此的争斗当中不小心弄坏郝刻薄院长的终生成就惊吓电力瓶，虽然郝刻薄院长没有对这件事情感到愤怒，但却认为大眼仔和毛怪都没有学习惊吓的资格而让他们退出惊吓课程，让大眼仔的人生跌到了谷底，毛怪也因此被惊吓会会员踢出会，而对大眼仔怀恨在心。

大眼仔为了参加学校所举办的怪兽惊吓杯大赛，加入了怪兽大学最烂的`万事OK社，并跟郝刻薄教授赌如果OK社赢了，就要让大眼仔重返惊吓课程，要不然就退学。在报名日当天万事OK社人数不够无法参加，原本想找因为迟到而凑巧出现在大眼仔眼前的蓝道加入，然而蓝道却早已经是惊吓会的会员了，最后是毛怪自告奋勇加入，使万事OK社可以参加比赛，因此，蓝道与大眼仔的友情正式结束。

本来在第一关卡就出局的万事OK社由于怒吼社使用违规药物参加比赛被取消资格而奇迹晋级，大眼仔和毛怪也因此了解到要彼此互相帮助才可以度过难关，因此大眼仔教导万事OK社的人如何运用自己的能力突破难关，也让其他的兄弟会刮目相看。

惊吓会不怀好意的邀请他们参加兄弟会派对，借此侮辱万事OK社的人，这此举动让大眼仔带领万事OK社的人偷偷溜进怪兽电力公司，并让他们看专业的惊吓专员是如何吓人的，大眼仔和毛怪也开始培养深刻的友谊，不料被怪兽电力公司的警卫发现，仓惶逃出后，大家也被激励出高昂的斗志，更认真的面对比赛，最后终于要跟惊吓会进行最后总决赛的前一晚，毛怪向郝刻薄院长表示如果他和大眼仔回到惊吓学院，希望她不要记仇，但郝刻薄院长反问毛怪他到底认不认为大眼仔是否有能力吓人，而让毛怪一时无法回答，也开始对这个答案产生怀疑。

到了总决赛，比赛项目是模拟吓人，而且设定难度非常高，依电量瓶的能量进行评分，OK社的每个人都运用自己的优点，在前几比赛里获得了高分，在倒数第2场比赛中，毛怪对上蓝道，毛怪因为非常凶猛的吼叫声影响到蓝道的比赛成绩，还让蓝道的身体保护色呈现有红色爱心形状外加白色的底色，蓝道也因此遭到嘲笑和责骂，此时的蓝道便发誓要击败毛怪，蓝道和毛怪也因此结下梁子，为后来的蓝道将毛怪视为劲敌的事情埋下种子。

当OK社跟惊吓会平手时，换到最后一位大眼仔，大眼仔竟然轻松突破记录，帮OK社拿下冠军，之后大眼仔发现有人在惊吓模拟器上动手脚，把他的设定难度调到最低，毛怪最后也承认他因为怕大眼仔没有能力去吓人而在模拟器动手脚，最后大眼仔非常伤心又愤怒的离开，OK社的成员也把奖杯扔在一旁。

毛怪也因此非常自责，并向郝刻薄院长承认作弊，表明自己承担责任，不料这时大眼仔闯入了惊吓门研究室，想要证明自己可以吓人，决定挑战连郝刻薄院长都束手无策决定要销毁的门，没想到进去后发现门后面不只有一个小孩，而且他们也并没有被吓到，反而对大眼仔十分好奇，大眼仔只好先逃出房子，此时，毛怪也进入了门里面，找到大眼仔，大眼仔对自己没办法吓人而感到非常伤心，而毛怪也诉说自己其实也是很害怕吓人。

两人快要被人类发现，想逃回怪兽世界时，发现通往怪兽世界的门被郝刻薄院长关闭了，因此大眼仔就想到利用人类尖叫声来充电重新启动门的电源，毛怪选择相信大眼仔，两人通力合作，成功吓倒要抓捕他们的成年人，尖叫声所产生的电力强到把郝刻薄院长身旁全数的电量瓶给充爆，两人成功逃出人类世界，郝刻薄院长被他们所做的事情震惊不已，然而学校辛苦研究的门被炸毁了，但两人最终也因为这件事被退学了。

要离开前夕，OK社感谢大眼仔所做的一切，因为比赛获胜OK社的成员得以参加下学期的惊吓课程，就在毛怪和大眼仔离开时，郝刻薄院长特地跟他们道别，表示毛怪和大眼仔是首次让她出乎意料的学生，并祝福他们两人一路顺风。最后两人决定加入怪兽电力公司，先从分信员做起，他们成为惊吓专员的道路就此开始！

哪里有《怪兽电力公司》的观后感啊?

I have never written a review on a movie before no matter how good or bad. But this movie really deserves high praise! I had brought the kids to see a few other animated movies before this like Wreck-it Ralph and Rise of the Guardian, but they turned out to be somewhat boring and unengaged. So I went into this not expecting much, it was more for the kids.

To my surprise, I LOVED IT! It's different, funny, smart, and adventurous. I found myself giggling through most of the movies and at other times astounded by the visual effects. I also see my kids and other kids sitting at the edge of their seats at times. It is great for all ages. The picture was stunning and saturated with imagination.

Dreamworks has outdone themselves with this one. I highly recommend taking your family to see this!

1、《疯狂原始人》（英语：The Croods）是2013年美国一部3D电脑动画电影。该影片由美国梦工厂动画公司制作，二十一世纪福克斯公司发行。 电影由科克·德·米科和克里斯·桑德斯编剧并导演，由尼古拉斯·凯奇、艾玛·斯通、瑞恩·雷诺兹以及凯瑟琳·基纳配音。

2、影片时间设定在史前时代，讲述了一个居住在山洞中的原始人家庭离开山洞的冒险旅行经历。影片在上映后得到了观众的好评，共取得了5.8亿美元的票房收入。

3、电影《疯狂原始人》是讲述一个原始人家庭冒险旅行的3D喜剧动画片。原始人咕噜一家六口在老爸瓜哥的庇护下生活。每天抢夺鸵鸟蛋为食，躲避野兽的追击，每晚听老爸叙述同一个故事，在山洞里过着一成不变的生活。大女儿小伊是一个和老爸性格截然相反的充满好奇心的女孩，她不满足一辈子留在这个小山洞里，一心想要追逐山洞外面的新奇世界。

怪物公司英文影评

1

The focus of /Monsters, Inc./ is a made-up world of monsters, Monstropolis, which is powered by the screams of little children. Since not all children have the same fears, monsters (and children) are carefully profiled such that the scream output is maximal. A child not afraid of a monster is therefore particularly terrifying to them.

Every night, the monsters venture into our world (through closet doors) and collect screams, with a running competition as to who collects the most. The scream leader is Sully (voiced by John Goodman), who's actually a good-hearted sort, and in second place, vying for first, is Randall Boggs (Steve Buscemi), who's evil even by monster standards.

One child, Boo (Mary Gibbs), who apparently isn't afraid of anyone except Randall, enters the monster world and causes panic. It turns out that Boo is a victim of a more global conspiracy that Sully and his friend Mike (Billy Crystal) must unearth. In doing so, they find a source of power that is more fulfilling than a child's scream.

2

Sulley and Mike's successful careers at Monsters, Inc. are suddenly under threat when they accidentally let a human child into the monster world. The problem is that monsters are terrified of children, and anything associated in any way with children is banned in Monstropolis. The little girl is called Boo (Mary Gibbs), and Sulley and Mike will have to find a way to hide her while they try to figure out how to get her home. This is difficult in the presence of the sneaky and suspicious Randall, who has evil plans of his own.

3

Monsters, Inc works on every level. Now this can be applied to just about all of the computer-animated Pixar films, but it is especially true of this one. It made me laugh, gasp in amazement, almost cry. Then it made me happy for about a week. Then I saw it again. It's that good.

Like they did in A Bug's Life, and the Toy Story movies, the good (read: amazingly talented) folks at Pixar have created a world, nay, a universe here. The basic premise is this: there exists a parallel universe populated entirely by monsters. Our New York or London is their Monstropolis, a huge city with a bustling economy that houses a gigantic corporation known as "Monsters, Inc." The company is responsible for providing the city with power by eliciting screams from children in the human universe. It employs "scarers," monsters who go through the doors of the unsuspecting kids' bedroom closets, scare them and collect their results. It's an interesting explanation for why we're afraid of what's in the dark recesses of our closet space.

The current top scarer is James P. Sullivan (John Goodman), eleven-time Employee of the Month and all-around lovable big lug. His assistant is Mike Wazowski (Billy Crystal), sarcastic, cynical and pretty much the opposite of "Sully," as he's referred to, in every way. Their rival -- and the film's eventual villain -- is Randall (Steve Buscemi), a shape-shifting, horrifyingly ugly purple monster who will do anything to get his name up on that Top Scarer's board, including coming in late at night and surreptitiously collecting extra screams.

One night, while shuffling through paperwork, Sully finds a door left on the Scare Floor. He goes in and comes out with a human child clinging to his back. But, you see, all monsters have been ingrained with the idea that the mere touch of a human child is deadly to them, and the presence of the kid will inevitably cause panic and ostracism. So Sully and Mike do their best to hide the little girl, voiced by little Mary Gibbs, while realizing that kids aren't so bad after all.

There are a lot of directions to go with this story, and I think Monsters, Inc. goes in all of them at some point or another. The most remarkable thing about it is that though it never breathes -- there is nary a moment when something crucial is not going on -- the emotional core of the story remains lucid. And it is beautiful: everything about childhood, growing up and open-mindedness is here, without any hint of preaching or talking down to the audience. I am convinced that if you look hard enough, the meaning of life -- whatever it is -- is in here somewhere.

Part of this may be because the kid, later nicknamed Boo, is so gosh-darn cute. But I think that her appeal goes beyond cuteness. Boo is a real child, not a figurehead, with real fears and idiosyncracies, and a personality that comes through even though she never even speaks a sentence. Yeah, she's cute, but not in the way E.T. is cute, or that puppy in Turner and Hooch. She's the real thing.

Monsters, Inc. left me feeling warm, and good and happy. By telling a story of monsters in a parallel universe, it somehow reaffirmed my faith in humanity. And, unlike ninety percent of feature-length animated movies, it doesn't just peter out, but ends with a bang. Its last shot is its best.

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