电影情归巴黎观后感 情归巴黎评价

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一部美国电影..刚开始女的戴眼镜的,很丑,后来,男主角为了跟别人打赌,将...

我记得是《少儿不宜》 ~

找一部美国老电影

《情归巴黎》(美国)

1995年出品

编剧：芭芭拉·班戴克、大卫·拉菲尔

主演：哈里森·福特、茱莉亚·奥蒙德

萨布里娜是长岛一个富有庄园的司机的女儿，不谙世事的她对主人家的英俊风流的二少爷戴维产生了恋情。但喜欢美色的戴维对平凡的萨布里娜肯本不屑一顾，像这样平凡的女孩根本就不是他喜欢的类型。戴维的母亲莱瑞比夫人托朋友给萨布里娜在巴黎找了一份工作，打算把她送到巴黎的《时尚》杂志社中去工作两年。去巴黎工作就意味着要和戴维分开，这让萨布里娜十分难过。临别前，萨布里娜到来戴维的房间吐露了自己的感情，没想到却被戴维的哥哥莱纳斯洞察了心曲。

在《时尚》杂志社里工作的萨布里娜渐渐变成一位漂亮干练、魅力四射的独立女性。在长岛，与风流倜傥的戴维不同的敬业家莱纳斯正和其母在极力撮合戴维与一家电子公司老板帕特里克·泰森之女伊莉莎白的婚事，因为两家产业合并有利可图，不久他们宣布订婚。从巴黎返回长岛的萨布里娜极具魅力，这让在路上巧遇她的戴维几乎认不出这就是当年那个平凡的邻家小女孩。戴维完全被她迷住了，一种前所未有的爱情冲动撞击着他的心灵。

在一次生日晚会上，迷醉的戴维邀请她去日光浴室会面饮酒。为了阻止戴维做出不利家族的事来，大哥莱纳斯提出以一百万的高价收买萨布里娜，但遭到断然回绝。于是，他一面命人给意外受伤住院的弟弟服了镇静剂，一面佯称要萨布里娜和他一起飞到马萨的葡萄园为产业拍照，以斩断他们的情缘。可是，这次同行却使一向不露声色的莱纳斯堕入情网并向萨布里娜表白了爱情。大感意外的萨布里娜长久地沉默着，回到庄园，戴维重提与萨布里娜约会的事，但被拒绝了。

与此同时，泰森父女要挟说，不赶走萨布里娜就取消合并。莱纳斯赶忙订了飞往巴黎的机票，想安置萨布里娜安静地生活在那里。此时已爱上莱纳斯的萨布里娜欣然接受邀请，但莱纳斯却受良心谴责，埋白了自己不很纯洁的动机。萨布里娜肝肠寸断地独往巴黎，得知莱纳斯恶意的计划后的戴维冲动地与兄长打了起来，却逼得莱纳斯吐露了心声。最终，戴维顾及了家族的利益与伊莉沙白成婚，莱纳斯则飞往巴黎与萨布里娜结合在一起。

《情归巴黎》或《西雅图不眠夜》的影评,英文版,约500字

《西雅图不眠夜》的英文影评：

A movie romance usually goes something like this. Boy meets girl. We can plainly see they are made for each other (MFEO) but there is some plot contrivance to keep them apart. Eventually the boy and girl realise they are MFEO, overcome all obstacles and live happily together ever after. Sleepless in Seattle varies the formula by almost delaying the meeting to the last scene of the movie. There is just a brief encounter in the middle of the film.

Sleepless in Seattle retains many elements from the earlier movie When Harry Met Sally, which was a collaborative creative effort between Nora Ephron and Rob Reiner. Ephron takes on the dual role of director and screenwriter for Sleepless in Seattle but Reiner has some input as an actor. The opening music in Sleepless in Seattle is 'As Time Goes By' from Casablanca, a movie which is referenced in When Harry Met Sally.

There are references to an old romantic movie, this time to An Affair to Remember. Again there are Christmas and New Year's Eve scenes. And again the soundtrack uses classic old tunes rather than contemporary songs.

There is an implication that some sort of magic is at work during Sleepless in Seattle which allows us to willingly suspend disbelief. I am happy to comply for most of the movie but the break-up scene stretches credibility a bit far. Is it really okay to dump the superfluous fianc?(Bill Pullman) on Valentine's day? He appears to be a good guy whose worst crime is being too dull and predictable.

Sleepless in Seattle could have done something highly unusual if the leading man and lady didn't get to see each other until the last scene. It's a pity that Ephron blew this opportunity in Sleepless in Seattle but it's a good movie regardless. It became the benchmark for the romantic comedy genre in the nineties.

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