诺丁山观后感英文600词 诺丁山观后感100字

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诺丁山英语观后感或英语简介

观后感

Notting Hill

"Notting Hill" takes over a third of its running time to show William (Hugh Grant) as he is immersed in his daily life, wanting to be supportive of his friends, yet searching for his own inner life. The five closest friends all show something he lacks: "happy" conformity, a loving marriage transcending obstacles, a sister who takes bold risks for finding love, and a roommate that sees through pretense and says so (and, yes, is delightfully vulgar).

Grant and Roberts are both passionate and bemused observers of the absurdities of fame that end up surrounding them, but they act this out in comic byplay and inventive responses. This isn't an American breakneck-pace (or "screwball") comedy, and their subtle discovery of each other's -minds- and substance wouldn't work in such a setting.

Roberts has both the easy familiarity with and the hair-trigger of frustration from fame, both coming out to undermine her when she least expects it. But she shows that she can grow and learn from her mistakes. (Unlike her well-acted but overexplained realization at the end of "Runaway Bride.") She even has one scene -sans- makeup that is a genuine romantic turning point. I don't see many other actresses being willing to try that.

Grant shows an astonishing inner strength and self-awareness, not being willing to hide how -he- sees reality. (He did the same realistic turn in "Four Weddings," but didn't try nearly as effectively to figure himself out.)

The photography and settings show off London beautifully, and the story's interior scenes make highly imaginative use of a narrow, stacked-up Notting Hill mini-townhouse.

Only two items give this any less than a 10 rating from me -- and even then, only down to a 9. The director doesn't take up very many opportunities to build on the comic or dramatic moments in the screenplay. He coasts on the words. They're good words, but they need a twist at times.

The other partial disappointment is with the musical score. It isn't really a score, or much of one, it's mostly popular tunes that underscore the action. One of these is luminous, and frames the story perfectly -- Elvis Costello's cover of "She." Others, though, use their lyrics to grind plot points into the ground. They also are usually performed far too high in volume, and sometimes lapping against dialogue.

The British often put more creativity below the narrative surface and into the setting than Americans do, and often get beyond formula. To discover this in a film is joyous. You'll feel this when you find yourself compelled to see this deeply felt, yet very funny, film twice, thrice, or more. For me, it's still delightful after nine months and nine viewings.

诺丁山英文介绍

Up The "Hill", 29 May 1999

Author: Brian Orndorf from Minneapolis

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