英语小说读后感50字 英语小说读后感50字简单
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英语小说读后感50字 英语小说读后感50字简单
快开学了。。。我很理解。。嗯嗯。。。看看吧:
Madam Curie(居里夫人读后感)
Madam Curie, a world famous woman scientist, was born into a techer's family in Poland in 1867 and died in 1934. She finished her middle school at the age of 16. Eight years later, when she was 24, she went to study at Paris University. All her lige was devoted to scientific research and her efforts were rewarded. She had won the Nobel Price twice.
Today, as a famous female, Madam Curie is sill remembered by the whole world. People will remember her forever for her courage, determination and her spirit of sharing knowledge with others
仅供参考
《哈克贝利·费恩历险记》(The Adventures of Huckleberry Finn)描写小顽童哈克遇到逃离主人的小黑奴吉姆,两人为了躲避一场杀人误会,乘坐一条小木筏沿著密西西比河顺流而下,碰到了各种有趣的遭遇。其中最紧张刺激的一段 ,是哈克拆穿骗子「国王」欺骗三姐妹家产的骗局,结果被坏蛋穷追不舍。而哈克为了应否协助黑奴逃亡也时常内心交战,终於在辗转发展下有了一个完满的收场。
《哈克贝利·费恩历险记》可以说是一幅杰出的美国社会生活风物图。马克·吐温以幽默的文笔,再现出自己早年在南方的所见所闻,把自己生活经历的浑金璞玉雕琢成精美的文学珍品。马克·吐温卓尔不群之处在于他通过描写具体的、局部的人与事,反映出人类普遍的思想状况。
马克·吐温的传世佳作《哈克贝利·费恩历险记》,为美国小说的语言带来意义深远的变化,奠定了美国文学口语化风格的基础。它文笔清新,不事雕琢,词汇和句法简单朴素,语言直接、准确、简明,颇有浑然天成的意味;长句极其少见,句子多为简单句或并列复合句,有时甚至不合语法规则。而且字句和结构重复出现,使文字生动活泼,获得回旋复沓、蕴涵幽深的效果。马克·吐温的风格开创了美国小说语言口语化的先河,对后世作家产生了巨大影响。著名小说家如舍伍德·安德森、欧内斯特·海明威、威廉·福克纳和杰·大·塞林杰等,都是马克·吐温的后继人。
海明威说:“全部现代美国文学起源于马克·吐温的一本名叫《哈克贝利·费恩历险记》的书……前无古人,后无来者。”
"All modern American literature comes from on book by Mark Twain called Huckleberry Finn....There was nothing before. There has been nothing as good since." ----Ernest Hemingway
福克纳也说:“我认为马克·吐温是第一个真正的美国作家,我们大家都是他的后继人。我们是他的胄裔。”
这些评语都精辟而充分地说明了马克·吐温在美国文学上的地位。著名诗人T. S. 埃略特、E. E. 卡明兹、威廉·卡洛斯·威廉斯、罗伯特·弗罗斯特及埃兹拉·庞德等人的诗歌语言也表现出明显的口语化特点,不能说同马克·吐温的文风无关。
圣诞颂歌英语读后感
A Christmas Carol
A Christmas Carol is one of the most famous works of Charles Dickens, who is a Criticism writer in the 19th century. His works mainly reflect the reality. So I like his works very much.
Charles Dickens was born in 1812, England. He had many difficulties during his childhood. However, these experiences enriched his life, at the same time, supporting many writing materials for his writing. He wrote more than 20 novels in all, reflecting the hate to the money and the sympathy to the common people. His works, such as Great Expectations, a Tale 0f Tw0 Cities, were affected by many readers.
This novel told a people who regard money as important as his own life---Scrooge. Even on Christmas Eve, he was also quite mean to everybody. There are five chapters in all. Chapter 1 introduced scrooge’s character and Marley, his friend’s ghost. The language was very beautiful and active. I like this part best. As followed there was a part of word to describe Scrooge: he was a hard man with money, hard as a stone. He was a secret self-contained man; friendless and alone .the coldness inside him froze his old face. His eyes were red. His thin lips were blue. Cold seemed to stiffen his way of walking. The hair on his head and above his eyes was white, white as snow. He carries this coldness with him always wherever he went. This part illustrated Scrooge was a cold man. He grasped the money tightly. As the following story, Scrooge refused his nephew invitation to have the dinner with his family. And he always scolded the Christmas is humbug. He didn’t believe the existence of Christmas and didn’t want to share his happiness and money with others. He had dinner in an inn and then went home. He had rooms in a house which had once belonged to Marley. Scolded sat quietly on the coach. But suddenly there is a big knocker on the door. It was Marley’s ghost. The ghost was bound by the heavy chain and told Scrooge its tragic fate. The ghost told Scrooge that three spirits will come to Scrooge and then faded away.
From chapter 2 to chapter 4, it talked about the three spirits. The first spirit stood for the past. It showed the happy times in the past of Scrooge. In the past Scrooge always said “Merry Christmas” to whoever he met. He loved life and enjoyed everything in his life. In this part the spirit also showed the first work of Scrooge. His boss, Fezziwig, treated them very well on Christmas. But Scrooge gradually changed. He loved money more than his lover. So his lover parted with him. It’s the money that made Scrooge lost many things. The second stands for the present. in this part , Scrooge is a greedy man . He has no mercy to everything and waste of his time. The third spirit stands for the future. In this part, it showed that Scrooge regret what he had done. And Scrooge was impressed at last. He understood money is not the only thing that is worth to reserve. Love and care were important too.
At the last chapter, that is chapter 5, Scrooge changed himself and gave mercy to the poor. And he had dinner with his nephew.
All in all, this story has a perfect end. Form this story, I realized that in this world, money is not everything. We also need love and help.
《圣诞颂歌》的读后感
斯克鲁齐在圣诞节的前夕,拒绝了爱心,回到了家后,碰到了已死七年他同伴马利的鬼魂,他对斯克鲁齐说:“你看见吗?因为我活着的时候没有善待他人,只想到自己,所以会为自己戴上了如此沉重的锁链!在四处飘荡,你是我最好的朋友,你还有一线的希望,将会有三个幽灵来看你。”
第一个幽灵是过去,斯克鲁齐看到了自己童年时候,他的妹妹来学校和他一起回家过圣诞节,做学徒时在老板的家中举行圣诞晚会,后来金钱取代了爱,未婚妻与他分手,有了幸福的家庭,他仍然孤单生活。
第三个幽灵是未来,他躺在床上,他拥有的一无所有,一个女仆甚至剥掉了他穿在身上内裳,他在被遗弃的石碑上读到了自己我名字。
他改变了,他变得善良而慷慨,他乐于帮助人,并把以此快乐。
《圣诞颂歌》让我感情到人性的本质,其实人之初性本善,每个人童年总有那么美好的爱,是自私自利把我们慢慢地腐蚀,人生一世赤祼祼的生赤祼祼的去,正像书中看到的未来,你做了善心中快乐,你做了恶事,像书中马利,肩负沉重的铁链,灵魂得不到安息。
《圣诞颂歌》让我感悟到了圣诞的意义,如果把我们的春节加进一些圣诞节的互相关心,互相奉献,互相祝贺,加进一些基督教的大爱,我们的春节将会更有意义!如果世界上能有多些书中的幽灵,把那些自私自利的人们心灵转变,我爱人人,人人爱我,这个世界将会变得多么的美好,人们将永远像在天堂里一样欢乐。
读完这篇文章,我明白了做人要充满爱心,乐善好施,不能心地冷酷,性情刻薄。当这个世界充满爱,世界就会更美好。
希望大家都读读这本书。
保护动物 英语读后感
Animals Need Protecting Animals are natural resources that people have wasted all through our history. Animals have been killed for their fur and feathers, for food, for sport, and simply because they were in the way. Thousands of kinds of animals have disappeared from the earth forever. Hundreds more are on the danger list today. About 170 kinds in the United States aloneare considered in danger. Why should people careBecause we need animals, and because once they are gone, there will never be any more.Animals are more than just beautiful or interesting. They are more than just a source of food. Every animal has its place in the balance of nature. Destroying one kind of animal can create many problems. For example, when farmers killed large numbers of hawks, the farmers' stores of corn and grain were destroyed by rats and mice. WhyBecause hawks eat rats and mice, with no hawks to keep down their numbers, the rats and mice multiplied quickly. Luckily, some people are working to help save the animals. Some groups raise money to let people know about the problem. And they try to get the governments to pass laws protecting animals in danger. Quite a few countries have passed laws. These laws forbid the killing of any animal or planton the danger list. Slowly, the number of some animals in danger is growing.
典范英语7 4读后感
Travel between channeling in a sea of ??books, often twelve to get my appreciation of famous masterpiece, but when I touch that book, and I'm fascinated by it, as it moved, it looked million times, never forget in hearts. Read a spell that one, it will come to mind, long time ... ... can not be dispersed
Pick up the wand, read out the familiar mantra, it will appear, with me:
A child named Harry Potter, an ordinary child, born will have a fight with the villain Voldemort's sign, a lightning-shaped scar. It is a curse of death more than marks, because the mother's sacrifice into his death by that road scars. He was adopted uncle had a wronged childhood, always relied on force table Gotha big bully his head, so, after 11 years. In his 11 birthday, there was an extraordinary thing, changed his life. Actually a very gentle surface terror watch Hagrid sent him a letter magic school admission letter, that he was born with a shaman's fate. He was very pleased to enter the school, know the Diagon Alley and a series of things in the Wizarding World. To the school also met two friends, one is stupid in the stupid brain Ron, there is a similar to Harry when the child's mother. One is the high academic Hermione, there are two ordinary Muggle parents. (Non-magic people) who work together to save the Philosopher's Stone, and heroic struggle against Voldemort, Voldemort finally destroyed the dream, get everyone's respect.
Flaubert once said: the more we complain about the unfortunate fate, the more we feel the pain; the more we want to escape, the more that fear, it is better to face it, against it, overcome it, so that all the pain down to concede defeat, so brilliant flowers bloom in the hard worked the land. Harry Potter is such that he does not bow to the face of difficulties, but raised his head, Student Groups brave face, conquer it. Students, there is no straight road in the mountains ah, however, bending, only majestic, with beautiful, there are ups and downs, only waves, as the streams there are obstacles, there are uneven, have the song! Our road is not flat, there is ups and downs, bumps and hollows, but we can not bow to difficulties, to the Harry - Potter study, do an honest, justice, courage to face difficulties, contempt difficult people! Victory will always be people who are tough are not Postscript. Let us all work together!
Magic, the shaman is already written by many of the old theme of the writer. But Rowling is undoubtedly the best written. To write such a real magic world, numerous details are woven into a magical net. The book is undoubtedly the most attractive that is full of suspense story, every ending is you so get enough, lovely. The book is full of foreshadowing, who would have thought to hide in unexpected outcome that many of the details. It is such a fascinating story, addictive. Harry the boy's image deeply into my mind, his loyalty, courage, the pursuit of justice and truth, and the kind of indomitable spirit, and both clearly echoed in my thoughts. Ever thought about a teenage boy, to bear the responsibility to save the world, to face death, to endure great pain and resentment, I can doNaive child has been considered synonymous, but Harry told them, like Harry, like you can take responsibility. This is probably the "Harry Potter" For me the biggest incentive. I might throw a lot of books, but the shelves will always have a "Harry Potter"; I would buy many books, but never have a bookshelf in the gap. 朗读显示
卧虎藏龙英语读后感
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A 19-year-old newcomer and a middle-aged veteran
steal the show from two legends of Hong Kong cinema
BY GARY MORRIS
Director Ang Lee would not be an obvious first choice to direct a Hong Kong martial arts film, even at a time when the genre is practically dead and thus ripe for resurrection by a highly regarded craftsman like Lee. His previous films — Sense and Sensibility, The Ice Storm are two — are careful, thoughtful works but also slow and stately to the point of torpor, traits that seem inimical to the whole HK aesthetic as seen in the work of megastars like Jackie Chan and Jet Li; producers and directors like Tsui Hark and John Woo; and films that cover a vast range of styles from the genderbending histrionics of the Swordsman series (starring the queen of HK androgyny, Brigitte Lin) to the homoerotic bloodbaths of Woo (Hard-Boiled, The Killer) to the sweet everyman epics of Jackie Chan.
Lee’s new film, Crouching Tiger, Hidden Dragon, is being marketed as both a loving homage and a redemption of the alleged excesses of the HK martial arts movie, a questionable approach since excess — in the larger-than-life characters, stylized violence, and dazzling shifts of tone — is a primary lure of these films. In Lee’s words, "People tend to look down on the genre. Some may have thought it strange that I could just drop what I normally do and make something like a B-movie. And as I was doing it, there was no escape. I had to bring in drama, I had to bring in women, I had to bring in beauty and whatever I feel added quality to it. It became an Ang Lee movie."
The good news is that the attitude behind such patronizing statements — drama, women, and beauty are hardly rare in HK films — is only partly in evidence in this "Ang Lee movie," in the film’s tedious, cliché romantic sequences. When Lee (or was it a gifted second-unit director?) focuses on the martial-arts sequences, the effect is breathtaking indeed and deserving of all the accolades the film is receiving.
Crouching Tiger, Hidden Dragon is based on a pre-World War II novel about characters who (in spite of Lee’s protests of originality) will be quite familiar to fans of HK’s golden age films. Li Mu Bai (Chow Yun Fat) is a legendary martial artist whose attempts to find enlightenment have left him disillusioned. He gives away his famous sword, the Green Destiny, to signal a move into a new, nonviolent life. His courier is Shu Lien (Michelle Yeoh), another well-known fighter who’s been pining away for him for years. Shu Lien becomes friendly with the aristocratic young Jen (Zhang Ziyi), who is secretly a superior swordswoman, the lover of the desert bandit Lo (Chang Chen), and a disciple of the vicious middle-aged female criminal Jade Fox (Cheng Pei Pei). From this setup, the film details the theft of the Green Destiny, the romantic and political intrigues that ensue, and the major characters’ life quests: Jen for love and power, Li Mui Bai for peace, Shu Lien for Li Mui Bai, Jade Fox for revenge against all men, and Lo for Jen.
The film has a muted, elegant look that works in its favor to transport the viewer to its setting of ancient China, meticulously recreated. But this rich pictorialism has a down side: Lee seems to be so in love with his compositions and conceits that the film slows to a crawl in some sequences. A particular offender in this regard is a seemingly endless diversion in the desert, where the love affair between Lo the bandit and Jen the captured lady begins. Lee exploits the bleak beauty of this setting (shot in the Gobi desert and the Taklamakan Plateau north of Tibet) but eventually loses the viewer in the interminable love scenes.
http://www.brightlightsfilm.com/31/crouchingtiger.html
这是一部如此充满中国风情与绚烂怀想的电影,从拍摄手法到人与人之间的爱恨情仇,看的出李安确实有深埋的武侠情怀,从未拍摄过武侠片,却拍出了最浓郁的武侠中国。
影片第一段武打戏中,李安用长镜头从各个角度跟拍两个女主角在屋顶上施展轻功,追逐跳跃的情景,在这一刻,我竟觉得无比的舒服,摄影机在两个人的后上方不紧不慢的跟随着,连摆动的时候都保持着优美的旋转姿态,仿佛与整个情景融合在一起,说不出的优柔与内在的刚毅,这美感惟有中国人才可以做的出,惟有中国人才能这样在运动与静止之间保持着节制与内敛的速度更是把握着长袖飘舞一般的从容。
在后来不断出现的打斗戏里,李安更是多用远景来表现人物的轻功,象章子怡从地面飞上墙面,镜头在远处一动不动的将这轻灵飘逸的一刻包囊在整个画面,人在天地间那一刹那间的恣意与轻灵就这么轻巧的溢出画面之外;李安的剪切手法更是让我不得不为之倾倒,在各个角度间的跳荡取舍就如同一个武学名家一样的古朴又时时闪现着让你惊喜的光彩。
就象是对古典中国的最忠实又最写意的膜拜,这部电影从取景到道具甚至到融环境与人物为一体的构图,无一不体现中国人古典文化中的精髓。说到人物的设置与他们之间的互动,李安依然保持着他中庸又传统的性格:李幕白修为高深而重情重义的中年男人的形象,简直就是中国好男人的典型;俞秀莲外柔内刚,心思缜密,虽然向往真正的爱情却始终恪守妇道,中国传统的礼节在她身上得到了最好的体现也是最悲剧的体现;玉娇龙,任性蛮横,从不知天高地厚,想入江湖,却不知道江湖凶险,为了爱可以抛弃一切。。。但是到了最后,剧情依然推动她反悔自己的过错让她自投山谷――这样的结局表面上看好象有些不能容忍现代中国人无视传统无视礼教的行为方式,其实我倒是觉出了李安在这快意恩仇间一丝对中国社会文化的忧虑:传统的礼教带来悲剧,不服从礼教却又迷茫到不知道正邪何以区分――这样的路究竟往何处走?用怎么样的信仰才可以走出迷雾?李安表面上维护传统,实际上提出了一个中国人自己最棘手的问题。
中国人爱不爱看自己的电影?我想一定爱看--我不相信一个生在中国长在中国的人除了听nirvana除了看《猜火车》就没有一点中国人自己的血液在身体里流动。我依然钟情于这样一个我闭上眼都能闻见的人文环境,它虽然古老,但是依然会时刻影响着我们的生活方式,我们思考问题的方式。就好象我一定会把《阳光灿烂的日子》排在我个人最爱的首位――因为他说的是中国人自己的事情,也是中国最出色的电影之一。
就好象你有没有练过毛笔字?你有没有看过古龙金庸的武侠小说甚至你曾经想象过飞檐走壁的神奇?你有没有背过唐诗,有没有体验过游览中国山水时所感觉到的秀美??如果你有,那么他们此刻就在你的血液里流淌着,并且就象河水中不断涌起的浪花,飞溅不息,在山谷间拍打出一声声的回响。
一定延绵不绝。
大二.
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